Today, we finished tracking drums for the Lovelorn record. And what a great feeling it is to have them completed. Oh, and tomorrow, we should have all of the bass parts completed as well.
We only have two more to start, but they are fairly straight-forward pieces— An acoustic + strings ballad called “You, Most,” and a peculiar semi-political narrative called “The Valleys.”
And then we’ve got a lot of overdubbing to do. Acoustic guitar, trumpet, accessory percussion, piano, and of course, vocals. Lots and lots of vocals…
So, tomorrow will put us over the “half-way” mark. Encouraging, isn’t it?
In the meantime, I’ve begun tracking for the Seasonalist EP, and great progress is being made there, additionally. “The Dead Bell” will likely be the first track from the new EP to be finished, and it is sounding haunting and riveting in all kinds of great ways. Timpani, strings, acoustic guitar… What a spooky ride.
The hardest decision will be to decide how to approach recording (or re-recording) “Snowgrave Serenade.” I love how raw and pure the demo sounds, but I want it to match the quality of the rest of the Seasonalist tunes.
So, we’ll see how that goes. And, as it stands, you’ll likely hear Seasonalist tracks before you’ll hear any Lovelorn material. Although, a single for Lovelorn will likely be chosen in the near future, and that will be released ASAP. The current choice is “The Echoing of Ends (The Words Ring True)” because it so aptly encompasses the fragile themes addressed in Lovelorn.
To close this entry, I’d like to share a special thanks to the amazing and knowledgable Nick Jones, the extremely talented Nat Yonce, the fiercely dedicated Dylan Hughes, and the always dependable Ben Wright. These guys are the only reason that Lovelorn is coming to life so perfectly, and they deserve far more credit than I.
Thanks for reading. Your patience will be rewarded shortly, I can promise you that.
Matt